(which needs an iron! That’s the problem with cameras these days — they show you things you miss in real life!)
I can’t believe it’s been so long since I made a block for my sampler quilt. Seriously — the last one was in April last year. 0_O !!
So then it’s appropriate that this be something special, something I’ve been saving. Like a tribute to the ‘Sundial Coverlet’, a patchwork and applique extravaganza held by the Victoria and Albert Museum in London:
It’s around three metres squared — an enormous quilt worthy of the largest of king size beds, and then some. I seem to remember reading somewhere that beds used to be a lot larger in the 18th century. Any historians out there who could back that up with some actual facts? There are ducks and stars and pinwheels and all manner of geometric motifs, all dancing around a sundial and a date from long ago. I’m just going to go out on a limb and imagine that 1797 is the date it was finished, but that would be because it’s the date a modern quilter would use, and I may be wrong.
In any case, I’ve been in love with this quilt since I saw it reproduced in Kaffe Fassett’s V&A book oh, around ten years ago, before I had made any quilt more complicated than a puff patch. Kaffe and his team didn’t reproduce any of the applique, instead choosing to recreate the impression of the patchwork in their version — they were working with time constraints, of course, and the quilter who took this on would never see the light of day again!
I chose two particularly appealing applique blocks to reproduce, one with scissors and thimble, the other with a clamp and heart. A clamp was a sewing tool back in the day — one might clamp the end of the seam to a table, then stitch towards it. Makes sense for a straight and even line of stitching.
I took a photo of the quilt from Kaffe’s book with a macro-enabled camera, cut the photo down into the pieces I wanted, blew it up in Photoshop until I got around about the right size, and then used the Trace tool in EQ to create applique shapes.
Could I have drawn it freehand and saved the bother? Probably, but this way makes me feel a lot more connected to the mysterious quilter who made all these wonderful, magical blocks. It must have taken so many years.
Patches in this block: 5
Patches so far: 878